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The copy I owned many years ago came in an thick cardboard cover which was pasted on back. Labels were lemon yellow. Didn't see such a copy again. Copies sold since as original first pressings are all housed in an thin unipack single sleeve which is strange because all other US Epic covers from the same time period were manufactured in a most common way - of thick cardboard pasted on back, just like the copy I used to keep in my collection. Maybe that copy was a Canadian one (I do not recall any mentioning of Canada neither on cover or labels though)? Anyhow, there are Canadian pressings of US bands from the late sixties not included at Discogs'.

Or it was the real, genuine US original first pressing, being so rare and elusive?

Kak’s only release is a solid West Coast album with strong Moby Grape and garage rock influences. I am not totally sold on the Kak album but I feel it’s at least very good, not really a classic work by any means, although some people swear by it.

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Group members included Dehner C. Patton on lead guitar, Gary L Yoder rhythm guitar and lead vocals, Joseph D Damrell bass guitar, sitar, and tambourine, and Christopher A. Lockheed drums, tabla, and harpsichord.

Kak resided in San Fransisco and while their existence proved to be brief, the Yoder/Patton guitar combo was pretty potent – they could rock out relentlessly but also hit you with a certain charm. Yoder was notable for playing in the legendary garage psych band the Oxford Circle, who released the awesome Foolish Woman single in1966 and were a feared live band. The Kak album begins with three outstanding, garage-like San Fransisco ravers that bear out Yoder’s roots. Everything Changes is a personal favorite with a classic hard charging San Fran acid rock vibe very similar to but it’s Electric Sailor that is often cited as a renowned psychedelic classic. This track is pure late period garage rock at its finest including pounding drums, an incredible acid solo, light feedback, childish lyrics, and a great catchy chorus.

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The album opener HCO 97658 is very similar and pretty good, pounding briefly for about a minute and forty seconds. Other songs like I’ve Got Time and Flowing By have more of a country folk-rock vibe that took me a while to get into, but I now appreciate these tracks and the diversity of this album. Trieulogy is the album’s longest and strangest track at 8 plus minutes, but a good acid rock suite with sitars and great psychedelic solos. A piece of this suite, Rain was released as a single and is a very good slice of speed-induced guitar psych.

The last track off the album, Lemonaide Kid received lots of radio play years ago and is a good Dylan influenced folk-rocker with sitar and tabla. Overall, this is a very good album without any dud tracks, the musicians are topflight and there are some great acid ballroom antics, though I would not recommend this disc to new psych fans. A 1999 Big Beat reissue is the easiest way to obtain this obscure record. Audio clip: Adobe Flash Player (version 9 or above) is required to play this audio clip.